Wii

I'd like to start by thanking you both for joining me today.

Thank you.

Now the two of you have lunch with Miyamoto-san on a more or less daily basis. I sometimes join you, which means that we've spent a lot of time together. But this is the first time we've ever spoken in this kind of formal setting. Especially for Tezuka-san, even though the Iwata Asks interviews have been going on for such a long time, this is the first time that you have formally participated, isn't it?

That's right! (laughs)

You know, I always got the sense that you were suspicious that there was some kind of ulterior motive behind these interviews. (laughs)

Well, I always thought it would be better to stay out of them. (laughs)

(laughs) Well, I asked you to join me for this interview because I felt that it was impossible to discuss the history of Mario without reference to the triangle formed by Miyamoto-san, Tezuka-san and Nakago-san. Perhaps we could start with the two of you briefly explaining what your roles are.

I work as a producer in the Entertainment Analysis and Development Division, working alongside Shigeru Miyamoto-san in overseeing all aspects of game development.

You're the head of the Software Development Department.

That's right. My official position is General Manager of the Software Development Department in EAD.

Actually, I was really pleased when you became the head of the department, as it was the first time a department was headed by someone younger than me.

Is that right? (laughs)

You've worked alongside Miyamoto-san ever since you first joined the company, haven't you?

That's right. I joined the company in 1984, so that makes it twenty-five years...

So you joined the year after the Famicom¹ was released.

That's right.

You timed it perfectly!

(laughs)

I can still clearly remember Tezuka-san joining the company. Miyamoto-san brought him to the office to introduce him to everyone. That was back when Tezuka-san was still really slim... (laughs)

You did use to be really slim! (laughs) I mean, it's not really my place to comment...

(laughs)

So at that time you were Tezuka, the new boy in the company. And now we've known each other for twenty-five years… (laughs)

Indeed we have.

Nakago-san, it's your turn.

I'm currently the President of SRD². I originally came to Nintendo to assist with programming for the Famicom and ever since then I've been lucky enough to be involved in many of Nintendo's products.

So how were you originally introduced to Nintendo?

The job I originally did at SRD had absolutely nothing to do with video game development. The kind of work I did included programming office calculation software for use on standard personal computers.

You were working on applications such as control systems, meaning you were more on the business end of things. So how did you end up becoming involved in video game development?

Well, the thing that got me involved with Nintendo was the 6502 chip³ that Ricoh had developed for the Famicom.

That was the Famicom's CPU (Central Processing Unit), wasn't it?

Right. So at that time, Nintendo were looking for programmers who were familiar with the 6502.

Yes, that's right. When I first visited Nintendo back then, I remember thinking: "I might be the person who knows the most about the 6502 here!"(laughs)

I was told that because Nintendo were developing a new chip, they wanted to develop new programs in tandem with that and I became involved in working for the Famicom. So I started off dealing with Research and Development 2 (R&D2).

R&D2 would later be merged into the Software Planning and Development Division, but at that time they were the department responsible for developing both hardware and software for the Famicom and Super Famicom⁴.

That's right. I worked on a wide variety of titles together with R&D2, including Donkey Kong⁵, which was released at the same time as the Famicom, Donkey Kong Jr.⁶, Mahjong⁷ and Donkey Kong Jr. Math⁸.

So your job was to port arcade games like Donkey Kong over to the Famicom?

That's right. Then around the time that job was coming to an end, someone I didn't know came up behind me and said: "You're Nakago-san, right?" And that turned out to be Miyamoto-san.

So even though you'd ported Donkey Kong across to the NES, you didn't know Miyamoto-san? (laughs)

I honestly didn't know anything about him! (laughs) At that time, I didn't even know that anyone by name of Miyamoto was working for the company. Then he came up to me and said: "We're going to be working on Excitebike⁹ together."

Excitebike? So how many years would that make it since you and Miyamoto-san began working together?

It's just over twenty years.

It's longer than that, isn't it?

Well, yes, it's around twenty-five years. So immediately after working on Excitebike and Ice Climber¹⁰, I was thrown right into the Super Mario Bros. and Zelda series.

I'm going to ask you all about what happened after you were thrown into the Super Mario series in a moment. But casting my mind back, I believe I met you just prior to that.

That's right. What sticks in my mind in particular is the guidance you gave me at the time of Balloon Fight¹¹.

Ah yes. At that time, there was an arcade circuit board called the Nintendo Vs. System¹² that used the same chipset as the Famicom.

The Vs. System! That really takes me back! (laughs)

There were a lot of games that were developed both for the arcade and the Famicom. HAL Laboratory worked on the home console version of Balloon Fight while SRD…

We worked on the arcade version. Then after we'd completed it, we wondered why the player's movements were smoother on the home version developed by HAL and asked Iwata-san for some advice.

That's when I told Nakago-san everything I knew. One thing I recommended was that instead of calculating the character's position using integers, they should also calculate it using decimal points, thereby doubling the precision. In this way, calculating gravity, buoyancy, acceleration and deceleration all become more precise and the movements look smoother. That's the kind of thing I explained at the time.

When Iwata-san explained all this to me, the scales fell from my eyes! (laughs) But I remember Miyamoto-san complaining: "Why do you have to go to another company to find this stuff out?" (laughs)

I was actually really pleased to be asked.

Is that right? (laughs)

Well, I hoped it would prove useful, and I believe that it did when you came to work on Super Mario Bros.

Yes, it proved incredibly useful. The reason why Mario moves so smoothly in the underwater stages is thanks to the guidance I was given by you.

At that point, I had been involved in the development of a whole variety of software while working at HAL Laboratory, but I'd always thought: "It's only the main Mario series that I've had nothing to do with." But it turns out that because of what I told Nakago-san all those years ago, I was actually indirectly involved in a Mario title. When I found that out, I was rather pleased! (laughs)

(laughs)

Out of interest, how old were you when we first met in 1984?

At that time, I'd have been about twenty-six. Miyamoto-san is five years older than me, so he'd have been thirty-one.

I was twenty-four at the time. How about you, Tezuka-san?

Well, I was the new boy, aged twenty-three.

We were so young, weren't we? (laughs)

(laughter)