Nintendo DS

So you had a hard time with it, but finally finished The Legend of Zelda: A Link to the Past. And just when you should have been out of breath, you started developing a game for Game Boy as a sort of "afterschool club activity." Why was that?

I can't really remember that either, but I think it was because there was a lot left over that we still wanted to do. Maybe I felt that way more than anyone else because I had joined development partway through, but I strongly desired to do more.

With a game like The Legend of Zelda, you may have lots of ideas, but you can never use them all.

That is the Zelda tradition. (laughs)

It began around the time of the Super NES.

I remember that we made The Legend of Zelda: Link's Awakening in a real peculiar frame of mind. We began in the free spirit of an afterschool club, so the contents are quite unrestrained. If you look at it, you can tell. Characters similar to Mario and Luigi appear, and Yoshi dolls appear, too.

Characters like Mario and Luigi?

Yeah. (laughs)

Was that all right?

It was for the Game Boy system, so we thought, "Oh, it'll be fine." (laughs)

(laughs)

We couldn't do much visually anyway.

That's right. It was monochrome. We've moved along at quite a good clip in a relatively freewheeling manner. Maybe that's why we had so much fun making it. It was like we were making a parody of The Legend of Zelda.

A parody of your own game? (laughs)

Yeah. (laughs)

Today, if you just barged ahead using characters resembling Mario and Luigi-even if it were for a Nintendo game-it would be quite a problem.

Yeah, I'd get mad. (bluntly)

(laughs)

And it wasn't just Mario and Luigi, but something like Kirby, too.

Huh?

Um... Kirby was in there , too. I think we asked for permission, but...

Oh. (laughs)

But some people at HAL Laboratory might say they never heard anything.

I suppose so. Oh well. I'm not sure how many people at that time recognized it was Kirby.

But that character appeared as one of Link's enemies, and if you got close, he would suck you up! (laughs)

About that time, Kirby was still just a fledgling character, so I think people thought that it was an honor to have him appear in a The Legend of Zelda game.

And the Chomps who appear in the Mario games were also enemies. Partway through you could have them walk along with you.

That's right! The SRD programmer was doing whatever he wanted and had it so you could hold onto and walk a Chomp that had previously been your enemy and have it eat flowers in front of a dungeon.

Now just wait a second! Chomps in The Legend of Zelda?

Yeah. They just appeared like it was normal. And Piranha Plants and Goombas , too.

That certainly is unrestrained. (laughs) You wouldn't do anything like that today, would you?

No, I doubt it.

If we did, I suppose you'd get mad.

Yeah, I'd get mad. (bluntly)

(laughs)

So, besides Tezuka-san and the SRD team, who worked on The Legend of Zelda: Link's Awakening?

We had (Kensuke) Tanabe-san⁸ join early on. He thought up the sub-events and stuff like the "Straw Millionaire" parts.

The Legend of Zelda: Link's Awakening was the first time for that, right?

Yes. It started then.

Then later on (Yoshiaki) Koizumi-san⁹ joined.

That's quite an extraordinary team! (laughs)

Koizumi-san had joined the company one or two years earlier and was doing artwork.

He was working with (Yoichi) Kotabe-san¹⁰, right? But if he was in a completely different division, then how...

It looked like he'd be good at creating a story, so we lured him into our afterschool club.

Really, it would be unthinkable today! (laughs)

8. Kensuke Tanabe: He worked on the scripts for The Legend of Zelda: A Link to the Past and The Legend of Zelda: Link's Awakening. Later, he was involved in development of numerous games, such as the Metroid Prime series, Chibi-Robo! and Freshly-Picked Tingle's Rosy Rupeeland. He is in Nintendo's Software Planning and Development Division.

9. Yoshiaki Koizumi: After working on the development of The Legend of Zelda: Ocarina of Time and The Legend of Zelda: Majora's Mask, he was involved in the development of 3D Mario games such as Super Mario Sunshine and Super Mario Galaxy, as well as of DSiWare such as Flipnote Studio. He is at Nintendo's Tokyo Software Development Office.

10. Yoichi Kotabe: An animator who has worked on animation such as Heidi, Girl of the Alps. After leaving Toei Animation, he joined Nintendo, where he began designing characters such as Mario. Currently he is active as a freelance agent.

Koizumi-san was in charge of the opening movie and main story . He's a romantic, and I think that shows in The Legend of Zelda: Link's Awakening. He was in charge of the whole flow of the story.

What was Miyamoto-san doing at that time?

I think he was busy with something and didn't pay us much mind.

Oh, just like me this time with The Legend of Zelda: Spirit Tracks.

(laughs) I do hear lots of Entertainment Analysis and Development staff members, not just you guys, say he's busy and doesn't pay them much mind. "Miyamoto-san's busy right now and won't pay us any attention!"

At any given time, Miyamoto-san tends to have something that he gives priority above everything else. While he's absorbed in that, he basically lets everyone else go.

(nods agreement)

Were you able to complete The Legend of Zelda: Link's Awakening without any detours?

Yeah. I don't remember that much detours at all.

I thought it was a tradition for working on a Zelda game to turn into a kind of exercise in suffering.

I remember it was fun working on it, and when it was over, I remember us talking to each other how fun it was.

Almost like you had awakened from a dream.

Oh, I get it! Like in the game! (laughs)

Some of our readers might want to play The Legend of Zelda: Link's Awakening now. (laughs)

I think it would be fun to play even today.