Iwata Asks is a series of interviews conducted by former Nintendo Global President Satoru Iwata with key creators behind the making of Nintendo games and hardware.



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Nintendo 3DS



Volume 9 : Resident Evil: Revelations

Like a TV Series

Iwata

Could I have you tell me about the story?

Kawata

This time, the story is extremely voluminous and packed full of ideas.

Nakanishi

We decided at the very start on a serial drama format. There's a method called a cliffhanger.12 Like ending a cutscene making you wonder what happens next, short scenes follow one upon the other, while showing quick, different plotlines unfolding for different character. We wanted to try that this time. 12. Cliffhanger: A dramatic technique that ends a scene right in the middle of a desperate situation in order to keep the audience interested.

Iwata

That way you get pulled into the world of the story.

Nakanishi

Yes. We created 12 scenarios that we wanted to end a certain way in a specific situation and had the scriptwriters link them together. Some got cut out that wouldn't fit no matter what, though. During the development process the story writing and game development ran practically in parallel so being able to make changes as we were making the game had a big influence on how each of the stages turned out. Hori-san made lightning-fast decisions when it came to sorting things out.

Kawata

We recognized each other's strengths and did a good job of dividing up the work, with what I could entrust to Hori-san going to him and pulling it all together going to Nakanishi-san.

Nakanishi

Well, it does get somewhat out of hand, but I think we were able to walk a fine line to make players think, "Maybe that could really happen!"

Iwata

But don't Resident Evil stories tend to end with something absolutely unbelievable? (laughs)

Everyone

(laughs)

Iwata

But you subtly build upon something that seems possible, so as you're playing, you get drawn into the world.

Nakanishi

That's right! (laughs) That's our traditional art, you might say, carried on since the early days of the series. And we've done it this time, too.

Hori

In the latter half, we tend to be like, "As long as it's fun, it'll be fine!" (laughs)

Everyone

(laughs)

Takenaka

Capcom is always like that. We make the main events interesting and then fill in the gaps with forced logic.

Iwata

Ohh… You just come right out and say it? (laughs)

Takenaka

Yes. (laughs)

Kawata

This time, the contribution of the sound to playing horror is considerably high. Now we can finally hear from Suzuki-san.

Suzuki

Thank you! (laughs) When I saw the first trailer at E3, I thought it was incredible, so I nominated myself and joined the team. I made a conscious effort to create rich sound effects and music so as not to lose to the graphics. Our concept was to go back to old-style horror, so in conformity with that, we generated a mysterious feeling with the music, and sometimes left out music and used only sound effects.

Kawata

We determined the direction for the music fairly early on, right?

Suzuki

Yes. When I heard from Nakanishi-san that it was going to be like a foreign TV series, I made some catchy theme music. And I put recurring theme music into the first flashback scene and brief transitional clips and so on.

Kawata

The song called "Revelations," really sticks in your head, so we've put it in all the trailers.

Iwata

Ah. Like you would for a movie.

Suzuki

Yes. And this may just be my own preconception, but the game is set on the sea, and when it comes to the sea and suspense, I think of piano music.

Everyone

(laughs)

Nakanishi

Where's the connection?! (laughs)

Suzuki

When I saw the first demo, for some reason a piano came to me! (laughs) We recorded a piano and orchestral instruments, and tried to make the sound richer.

Kawata

After we finished the first recording session, I thought, "That should be good enough," but he came up to me, with his eyes all red, and said, "Kawata-san, it isn't enough, so let me record more!" (laughs) That's how much enthusiasm he put into making the sound.

Suzuki

For the second recording, in addition to an orchestra, we recorded things like a chorus and violin solos, really pushing to the limit. The sound effects and voices are really rich, too.

Kawata

For the first time in the series, we recorded voices in Japanese. I think that helped make it feel even more like a foreign TV drama. Editor's note: When foreign TV dramas are broadcasted in Japan, the shows are often aired with Japanese voice-overs where the voice actors frequently use terms and expressions that are hardly found in daily conversations in Japanese culture, which comes across as distinctive to the Japanese fans watchings foreign TV dramas. Here, Kawata-san is saying that it helps make the game feel like a foreign TV drama because that game follows its voice-over style.

Nakanishi

That, too, was for making it feel like a foreign drama. If it were just English voices those who couldn't understand English won't be able to turn the subtitles off, so we put it voices for the whole game.

Takenaka

And it's not just Japanese that we put in, we also put in FIGS13. 13. FIGS: An acronym for French, Italian, German and Spanish. Resident Evil: Revelations features voice-overs for these languages in addition to English and Japanese.

Nakanishi

Even compared with other game genres, sound is particularly important to horror games. We can't get players in the mood if we don't pay as much attention to sound as we do on the visuals and gameplay. Actually, if you turn the sound off, it becomes much less scary. Several people in the company play tested without sound once, and then turned in written comments to the effect that it wasn't scary at all. After that, we were very specific that they have headphones when we show it at events!

Suzuki

It's perfect for the Nintendo 3DS system's surround mode. The sound effects are quite elaborate, so if you wear headphones, it feels like you are really surrounded by that space. Above all else, I recommend playing in a dark place, with the 3D Depth Slider cranked way up and headphones on. (laughs)

Kawata

The sound clearly conveys exactly where you are walking.

Suzuki

Yes. Ever since way back, we have paid attention in the Resident Evil series to the sound of footsteps, so we talked it over thoroughly with the scroll team and determined the sound of footsteps in line with the type of material underfoot.

Iwata

You thought about it and took action yourselves. That's a good team.

Hori

Our teamwork was good. We maintained eye contact as we worked.

Kawata

Everyone thought and acted for themselves in order to bring out their best in a short period of time, and I think that led to the results this time.